Monsters of God, the latest documentary series by director Eric Goode, takes a more measured and nuanced approach to the topic of exotic animal trafficking compared to his previous works. Goode, known for his documentary series 'Tiger King' and 'Chimp Crazy', has been refining his formula, focusing on substance and gradually diminishing sensationalism. This new series, 'Monsters of God', delves into the world of reptile trafficking, offering a deep dive into the industry and its players.
The documentary introduces a wild and eccentric character, a man handling a giant king cobra, which immediately sets the tone for a more serious exploration of the subject. Unlike 'Tiger King' and 'Chimp Crazy', 'Monsters of God' avoids the easy caricature and schadenfreude associated with those series. Instead, it focuses on the legal and illegal aspects of the reptile trade, highlighting the complex dynamics between smugglers, law enforcement, and the enthusiasts who are drawn to these exotic creatures.
One of the key strengths of 'Monsters of God' is its relatable approach. Goode, who once owned exotic reptiles, presents a nuanced perspective, acknowledging the allure of these creatures while also emphasizing the dangers of illegal trafficking. The series explores the industry through the eyes of individuals like Tommy Crutchfield and Hank Molt, who began as legal reptile traders but eventually ventured into the illegal trade. Goode's personal connection to the subject adds a layer of authenticity to the documentary.
The documentary also stands out for its attention to detail and historical context. It provides a chronological journey through the reptile trade, featuring a diverse cast of characters, from smugglers to law enforcement officers. The animals themselves are showcased with beautiful photography, but their treatment is not the primary focus. Instead, the series highlights the human element, the enthusiasts who are drawn to the reptiles, and the psychological aspects that drive their actions.
However, 'Monsters of God' is not without its flaws. The series is criticized for its length and repetition, with Goode's attempts to secure interviews with secretive traffickers sometimes coming across as forced. Despite this, the documentary maintains a level of honesty and watchability, avoiding the mockery and over-the-top cinematic techniques that marred Goode's earlier works. Goode's conclusions, while simplistic, are likely correct, emphasizing the importance of regulating the ownership of endangered species.
In conclusion, 'Monsters of God' represents a step forward in Goode's documentary career, offering a more measured and thoughtful exploration of a complex topic. It raises important questions about the legal and ethical boundaries of exotic animal ownership and trafficking. While it may not be as culture-shifting as 'Tiger King', it is a compelling and engaging watch, leaving viewers with a deeper understanding of the industry and its implications.
