The Museum of Contemporary Art in Denver has unveiled an ambitious exhibition, 'Colorado Currents', marking the state's 150th anniversary. Curated by Miranda Lash and Leilani Lynch, the show showcases the work of over two dozen artists, offering a diverse and thought-provoking exploration of Colorado's identity. The exhibition aims to challenge the notion of a singular 'Colorado concept', instead presenting a multifaceted view of the state through contemporary art.
One of the key strengths of 'Colorado Currents' lies in its ability to move beyond the expected. While the state is often associated with its natural beauty, the curators sought to present a more nuanced perspective. By engaging with a wide range of artists, they have created a show that delves into various themes, including nature, history, and personal identity. This approach ensures that the exhibition is not just a celebration of Colorado's past but also a reflection of its present and future.
The lower level of the museum features Erika Osborne's oil paintings, which capture the aftermath of wildfires, and Erin Hyunhee Kang's projections, depicting the devastating Marshall fire. These works provide a stark reminder of the state's vulnerability to natural disasters. Nearby, Evan Forrest Mann's surreal landscapes, created while hiking, offer a different perspective, emphasizing the beauty and fragility of nature.
The first floor takes a more historical approach, with Ronald Rael's 3D-printed adobe installation and the father-daughter duo of George and Halcyon Levi presenting ledger art, a Native American tradition. The inclusion of the Levis, descendants of the Sand Creek Massacre, highlights the complex relationship between Colorado's history and its Native populations. This expansion of the state's narrative is a crucial aspect of the exhibition, as it challenges the notion of Colorado as a monolithic entity.
As visitors ascend to the upper levels, the exhibition transitions to a celebration of Colorado's diverse communities. Steven Frost's 'Mile High Pride Flag' and Marcus Correa's photographs of styled models in Denver showcase the state's cultural diversity. David Ocelotl Garcia's mural sketches further emphasize the importance of community and identity.
What sets 'Colorado Currents' apart is its intentional use of gaps and ambiguity. Instead of a comprehensive overview, the curators have created a show that invites viewers to fill in the blanks. This approach encourages active engagement and personal interpretation, making the exhibition a dynamic and interactive experience. Lash's philosophy of embracing the unknown and encouraging responses is a refreshing take on traditional art exhibitions.
In conclusion, 'Colorado Currents' is a bold and innovative exhibition that challenges the viewer's perception of the state. By presenting a diverse range of perspectives and themes, it offers a rich and nuanced exploration of Colorado's identity. The show's success lies in its ability to move beyond the expected, inviting viewers to question and engage with the state's complex and multifaceted nature.
